All Nanteuil, Robert Oil Paintings

French, 1623-1678 French engraver, draughtsman and pastellist. He was the son of Lancelot Nanteuil, a wool merchant, and submitted his thesis in philosophy, for which he engraved the headpiece, at the Jesuit College of Reims, in 1645. He went on to work in the studio of Nicolas Regnesson, whose sister he married in 1646, before moving to Paris in 1647. His early work mainly consisted of portrait drawings in black lead on parchment (e.g. Paris, Louvre), and he continued to draw throughout his career. He took 155 of his 221 portraits directly from life. His drawing style was influenced by Philippe de Champaigne, and he based his engraving technique on the work of Claude Mellan and Jean Morin.
 

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Nanteuil, Robert Portrait of Louis XIV, King of France oil on canvas


Portrait of Louis XIV, King of France
Portrait of Louis XIV, King of France
Painting ID::  19601
  1670 Pastel Galelria degli Uffizi, Florence.
  1670 Pastel Galelria degli Uffizi, Florence.

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Nanteuil, Robert Portrait of Louis XIV,King of France (mk17) oil on canvas


Portrait of Louis XIV,King of France (mk17)
Portrait of Louis XIV,King of France (mk17)
Painting ID::  22243
  Pastel on paper,21 1/16 x 17 1/8 in (53.5 x 43.5 cm) Uffizi,Gallery;inv.1890 no 824
  Pastel on paper,21 1/16 x 17 1/8 in (53.5 x 43.5 cm) Uffizi,Gallery;inv.1890 no 824

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     Nanteuil, Robert
     French, 1623-1678 French engraver, draughtsman and pastellist. He was the son of Lancelot Nanteuil, a wool merchant, and submitted his thesis in philosophy, for which he engraved the headpiece, at the Jesuit College of Reims, in 1645. He went on to work in the studio of Nicolas Regnesson, whose sister he married in 1646, before moving to Paris in 1647. His early work mainly consisted of portrait drawings in black lead on parchment (e.g. Paris, Louvre), and he continued to draw throughout his career. He took 155 of his 221 portraits directly from life. His drawing style was influenced by Philippe de Champaigne, and he based his engraving technique on the work of Claude Mellan and Jean Morin.

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